Satyrday: Sorcery, by Walter de la Mare

SORCERY, by Walter de la Mare

"What voice is that I hear
Crying across the pool?"
"It is the voice of Pan you hear,
Crying his sorceries shrill and clear,
In the twilight dim and cool."

"What song is it he sings,
Echoing from afar;
While the sweet swallow bends her wings,
Filling the air with twitterings,
Beneath the brightening star?"

The woodman answered me,
His faggot on his back:--
"Seek not the face of Pan to see;
Flee from his clear note summoning thee
To darkness deep and black!"

"He dwells in thickest shade,
Piping his notes forlorn
Of sorrow never to be allayed;
Turn from his coverts sad
Of twilight unto morn!"

The woodman passed away
Along the forest path;
His ax shone keen and grey
In the last beams of day:
And all was still as death:--

Only Pan singing sweet
Out of Earth's fragrant shade;
I dreamed his eyes to meet,
And found but shadow laid
Before my tired feet.

Comes no more dawn to me,
Nor bird of open skies.
Only his woods' deep gloom I see
Till, at the end of all, shall rise,
Afar and tranquilly,
Death's stretching sea.

Satyrday: The Innocence of the Fauns

Satyrday: Female Fauns

Technically speaking, there were no such thing as female fauns or satyrs in classical Graeco-Roman mythology; the goat-men mated with nymphs and sometimes human women. Since the Renaissance times, though, the "fauness" has appeared as an image of female sexuality, either as a temptation or as the symbol of a simple, natural state.

Satyrday: Pan

A MUSICAL INSTRUMENT

What was he doing, the great god Pan,
Down in the reeds by the river?
Spreading ruin and scattering ban,
Splashing and paddling with hoofs of a goat,
And breaking the golden lilies afloat
With the dragon-fly on the river.

He tore out a reed, the great god Pan,
From the deep cool bed of the river;
The limpid waters turbidly ran,
And the broken lilies a-dying lay,
And the dragon-fly had fled away,
Ere he brought it out of the river.

High on the shore sat the great god Pan,
While turbidly flow'd the river;
And hack'd and hew'd as a great god can
With his hard bleak steel at the patient reed,
Till there was not a sign of the leaf indeed
To prove it fresh from the river.

He cut it short, did the great god Pan
(How tall it stood in the river!),
Then drew the pith, like the heart of a man,
Steadily from the outside ring,
And notch'd the poor dry empty thing
In holes, as he sat by the river.

"This is the way," laughed the great god Pan
(Laughed while he sat by the river),
"The only way, since gods began,
To make sweet music, they could succeed."
Then dropping his mouth to a hole in the reed,
He blew in power by the river.

Sweet, sweet, sweet, O Pan!
Piercing sweet by the river!
Blinding sweet, O great god Pan!
The sun on the hill forgot to die,
And the lilies revived, and the dragon-fly
Came back to dream on the river.

Yet half a beast is the great god Pan,
To laugh as he sits by the river,
Making a poet out of a man:
The true gods sigh for the cost and pain--
For the reed which grows never more again
As a reed with the reeds by the river.

--Elizabeth Barrett Browning (1806-1861).