Showing posts with label james p. blaylock. Show all posts
Showing posts with label james p. blaylock. Show all posts

Wednesday, September 3, 2014

Emptying the Bucket List


A few years ago a movie starring Jack Nicholson and Morgan Freeman came out, popularizing the notion that everyone should make a list of all those things one wanted to do in life, and then try to do them before you “kick the bucket.” This list should not be merely a bunch of life duties, but the extravagant, unnecessary, personal dreams that only fear or laziness has kept you from fulfilling. I’ve always had a kind of inchoate list floating around in my head, and being a bookish and sedentary type of fellow it hasn’t included snowboarding down Mt. Everest or diving with sharks in the Great Barrier Reef. Having recently passed my fifty-first birthday (which I celebrated Hobbit style, by providing the feasting and giving presents instead of getting them—cross that off the list!), I realized that even if I live to be a hundred (unlikely) the bigger part of my days was past. So during the otherwise paralyzing heat of a Texas August, I’ve been steadily pursuing items on my bucket list and checking them off. Here’s what I’ve done so far.

1) I’ve completed the first chapter of a memoir of my life, covering the early years from birth to the age of six. While my autobiography might best be described as the story of a nobody who accomplished nothing, I’ve found it satisfying to preserve memories that, with the passing of my parents and my elder brother, are increasingly to be found only in my own mind. It is, of course, all from my point of view, and probably only of interest to my younger siblings and my nieces and nephews. One of my treasured possessions is a bundle of a few pages my mother wrote about her early life, and which I have found very enlightening about our own family history. I’ve often thought how fascinating it would be if all the members of the family had done so; now I’ve made at least a start on mine.

2) I’ve finally got and read a copy of On Pirates, a limited edition chapbook purportedly written by William Ashbless (the dual nom de plume of famed authors Tim Powers and James P. Blaylock) and definitely illustrated by the great Gahan Wilson. Besides the short story “Slouching Toward Gayalou” and the poem “Moon-Eye Agonistes, A Tragedy” by Ashbless, there are the forwards and notes by Blaylock and Powers, continuing the long literary joke of them assuming that the old poet is finally dead and publishing some of his work as a memorial, only to be confronted by the irascible and very much alive Ashbless breathing fire at them for tampering with (and profiting from) his work. This little book also has ties with Blaylock’s Langdon St. Ives and Magical California books in the (fictional?) person of William Hastings, who supplies an afterword about the aftermath. It was very satisfying to me to finally supply this missing link in the chain of my enthusiasm for Blaylock’s work.

3) On the action figure collecting scene, when I went to a local “con” with my brother and his family I was able to get an Auron from the Final Fantasy series put out by Square Enix (desired by me for its connection to Kingdom Hearts II, where he appears as a character) and a Meryl Stryfe from Trigun: The Planet Gunsmoke. I’ve wanted them for quite some time, and they were both there for very reasonable prices. These were not huge items on my list, but they were nagging little lacks that have been put to rest.

4) To continue on the anime theme, I finally sent away for the complete Read or Die series, which includes the original three part OVA and the two TV series. I had started to watch the first TV series almost a decade ago, but never got to see how it all played out, so it was a relief to see that at last. I found this show very appealing: its main themes are the joys and rigors of reading and writing, the power of books and the dangers in the control of knowledge, all garnished with the occasional gainaxing. These qualities are embodied in the Paper Masters, a group of people (mostly women) whose love of books give them bending skills that allow them to shape and manipulate the actions and material properties of paper, so it becomes sharp enough to split steel or hard enough to stop bullets. I could have watched it all streaming on various sites over the years, but I’m a material kind of guy who wants a hard copy around.

5) Speaking of copies, I broke down at last and sent off for a VHS copy of You Can’t Take It With You, starring Jason Robards. I had watched and recorded this way off in the early Eighties, but sometime in the late Nineties my tape of it went astray (I suspect my brother Mike recorded over it). I hadn’t seen it in years, and now this official release was the only format available. There have been other incarnations of the play over time (I’ve seen Lionel Barrymore and Art Carney play the pivotal role of patriarch Grandpa Martin Vanderhof, and I hear that James Earl Jones is now trying out the part), but the Jason Robards version is mine. The gentle, humble philosophy of the play had a lasting influence on my outlook on life (“Life’s not so crazy, just the people in it.”), and I definitely wanted to see it again, both for nostalgia’s sake and to find out how it holds up. After a little finoodling with a long disused VCR (thanks, John!) I was able to watch it once more, and it is great.

6) The last item to be scratched off my list has got to be the oldest. This is the 24-volume set of Man, Myth and Magic, an encyclopedia produced in the early Seventies covering mythological, magical, and religious practices. This used to be advertised everywhere when I was a kid, and the cover of the first volume scared the heck out of us. My uncle eventually got a set of them, but we were allowed only a limited access, not because of the occult subject matter so much as the native ceremonial and satanic ritual nudity. These books are a snapshot of the supernatural styles and obsessions of the time, dangerous, transgressive, and daring, before the New Age came along and washed it all twinkly with crystals.

Oddly enough, my pursuit of most of these items was facilitated by sudden price drops that made them more accessible to my budget, sometimes by half of what they had been going for before. It was almost as if things were conspiring to help me along with my bucket list, which, depending on how you look at it, is either encouraging or a little scary. One positive thing I have found out is that when you finally clear the decks of the past you have only the present and the future to think about, and you can sail on a little freer.

Thursday, July 10, 2014

"Places Are Really Magical"

"I don't know if it was a conscious decision with the title so much as a conscious decision on my part to try to mythologize northern California. Having seen most of the United States in my life, I have to say that there is no more beautiful place in the world than northern California. It's simply a startling, strange place, and I'm so affected by places, by settings...that, in a number of the pieces I've written, and especially in Land of Dreams, I've made an effort to mythologize places. Once again to try to force the reader to see that place through my eyes. I'm a real big fan of the notion that places are really magical, and I don't mean "rabbit out of the hat" or "witches and cauldrons" or any of that kind of crap--I mean that they have an absolute irrational effect on the way we feel, on how we view the world and, artistically, I always thought it would be nice to picture northern California. I tried to do it in "Paper Dragons," too. In such a way to make the reader feel about the place as I felt about the place." --James P. Blaylock.

Saturday, August 3, 2013

Humpty Dumpty


"The symbol of the Guild haunts the foggy, north coast landscape--the ubiquitous Humpty Dumpty, often sporting the crown and scepter that marks him unerringly as the King Who Was Broken, but who might, with the full energies of the Guild, the King's Men, be made whole again." --William Hastings, in Zeuglodon, by James P. Blaylock.

Friday, March 9, 2012

Book Bounty: The Adventures of Langdon St. Ives


The Adventures of Langdon St. Ives, by James P. Blaylock, is a deluxe limited edition volume published by Subterranean Press in 2008, collecting the first two novels and four short stories dedicated to the exploits of Langdon St. Ives, the eccentric Victorian scientist and adventurer. Originally selling for $60, it is already difficult to find a copy for less than twice that price. The copy I was able to get my hands on is ex-library and cost a slice under $100.

I have been reading Blaylock since the early 1980's, and greatly enjoyed the two novels, Homunculus and Lord Kelvin's Machine (and the marginally connected The Digging Leviathan) when they were published in the mid-'80's and early '90's. I have since gone out of my way to get hardback copies of Blaylock as and when they become available. This volume is a dream come true for me, including as it does a previously unpublished short story ("The Hole In Space") and beautiful illustrations by J. K. Potter.

These are the novels that arguably began (along with the works of Blaylock's pals Tim Powers and K. W. Jeter) the literary sub-genre of "Steampunk," tales set in a Victorian/Edwardian time period utilizing steam, clockwork, and crackpot science, and following the footsteps of Jules Verne, H. G. Wells, and Edgar Rice Burroughs. Steampunk has mutated from a literary movement to a "lifestyle aesthetic," which generally means chunky ladies in bustiers, top hats, and monocles.

Further volumes in the Langdon St. Ives saga include The Ebb Tide, The Affair of the Chalk Cliffs, and the soon-to-be-released The Aylesford Skull. All are published by Subterranean Press and illustrated by J. K. Potter.

Saturday, July 18, 2009

10 Books A Day: #86







All titles are by James P. Blaylock.
The Elfin Ship...Del Rey
The Disappearing Dwarf...Del Rey
The Stone Giant...Ace
The Digging Leviathan...Ace
Homunculus...Ace
Lord Kelvin's Machine...Ace
Land Of Dreams...Ace
The Last Coin...Ace
The Paper Grail...Ace
Night Relics...Berkley
Winter Tides...Ace
All The Bells On Earth...Ace
The Rainy Season...Ace
Book Count: 1097.

Thursday, May 7, 2009

10 Books A Day: #19

13 Phantasms And Other Stories...James P. Blaylock...Ace

The Man in the Moon...James P. Blaylock...Subterranean Press

All The Bells On Earth...James P. Blaylock...Ace

The Knights of the Cornerstone...James P. Blaylock...Ace

Night Relics...James P. Blaylock...Ace

Land of Dreams...James P. Blaylock...Arbor House

The Last Coin...James P. Blaylock...Ace

The Rainy Season...James P. Blaylock...Ace

Winter Tides...James P. Blaylock...Ace

Pilot Light..."William Ashbless"(James P. Blaylock & Tim Powers)...Subterranean Press

Blaylock is a writer born, living, and teaching in California. He was mentored by Philip K. Dick, and sometimes has collaborated on works with his good friend and fellow author Tim Powers, with whom he has created the fictional poet and adventurer, William Ashbless. The Man in the Moon is the first draft of Blaylock's book The Elfin Ship, which editor Lester Del Rey convinced him to re-write and lengthen. The last third of this version is very different from what was published first (not worse, but different plot-wise). It is very worthwhile for me to have this edition of one of my favorite books; not just for the story, but for the commentaries, the bonus of the reprint of the first of the Langdon St. Ives stories (his steampunk scientist character), and the fact that it is only one of a thousand numbered copies signed by Blaylock and Powers. Pilot Light has a bonus in that it is illustrated by Gahan Wilson.

What I like about Blaylock's work, whether it is in the more whimsical "Balumnian" books or in the "magic realism" stories that take place ostensibly in our world, is the sense all his heroes have of the wonder and marvel of things, of sometimes quite ordinary things. Characters might just as easily enjoy a cellar full of marbles as a pirate treasure, or think that someone who takes a Pogo Possum book can't be all bad. It is the sense of wonder for wonder's sake, and not for any money or power that might come from it, that marks a hero in Blaylock's books, as someone who has "all the right instincts", be it for a good used bookstore, a marvellous machine, an aquarium of exotic fish, or a fantastic gumbo with a cold glass of tea. Going on a journey with Blaylock you might find the incredible secret of the little old lady down the street, or the seemingly hokey lodge might turn out to really harbor an ancient treasure, or a common gimcrack item hold mystical powers. What seems ordinary might have a fantastic side, and legends might hide startling truths in plain sight in the mundane world, all revealed to blundering innocents whose only resources to deal with it all are those "right instincts". It seems to me a perfect analogy for our own existence.

Friday, July 25, 2008

My Equivalent Of A Red Sportscar


Well, today was my 45th birthday, and I spent most of it reading from the trove of books I ordered to celebrate.

I read from Volumes II and III of The Absolute Sandman. These are massive, slip-cased tomes, collecting the graphic stories of Neil Gaiman. Volume I is coming in the mail, and Volume IV is yet to come. Beautiful artwork and tales, meditations on storytelling, dreams, and myths, that deserve more in-depth discussion than they're going to get at this hour.

I lovingly parsed through Giant Size Man-Thing #3, which contains the story of Korrek and Jennifer Kale, and perhaps one of the greatest wizards to ever live, Dakimh the Enchanter. Our original copy was bought in 1975.

I read some in Walter Hooper's Past Watchful Dragons, an analysis of The Chronicles of Narnia. It includes the few remaing drafts of Narnia stories that never got developed.

When I went out to check the mail, I had got three more books. All the way from Gloucester, UK, a couple of Terry Pratchett books: The Science of Discworld (in which Pratchett tells a tale of the wizards of Unseen University to illustrate the explanations of the state of scientific knowledge given by Ian Stewart and Jack Cohen) and The New Discworld Companion (with Stephen Briggs).

The third book was The Man in the Moon, by James P. Blaylock. This is the original version of The Elfin Ship, where the last third of the book is very different from the book as first published. It is probably the closest I'll ever get to getting a hardback version of The Elfin Ship. It is copy #519 of only a thousand signed copies, and includes both the signatures of James P. Blaylock and Tim Powers, who wrote the Forward.

These are two of my most favorite living authors.

I know it's not fashionable, but I have to admit I was very happy today. Reading, pondering, smelling the rain-soaked earth after a long hot spell, working on my little projects, a small family meal in the afternoon, Bedknobs and Broomsticks on TCM in the evening... I have more books ordered and on the way. And so "with at least one fine tomorrow to look forward to," I am as contented as any reasonable person can hope to be.

Friday, July 18, 2008

A Cluster of Quotes on Books

"Jonathan still had a good bit of coin left after the purchase, and he considered that it would likely be folly of some sort to return upriver with too much money. They'd probably just get waylaid and robbed by highwaymen or goblins. Therefore, all things considered, it would be wise to spend most of the rest of his money on books. Few thieves, when you think about it, bother stealing books. They either don't go in much for reading or would have an impossible time carting away the books." ---James P. Blaylock, The Elfin Ship.

Felix Kennaston, an author, considers his Uncle Henry's inherited library:
"And besides,--so Kennaston's thoughts strayed at times--, these massed books, which his predecessor at Alcluid had acquired piecemeal through the term of a long life, were a part of that predecessor's personality. No other man would have gathered and have preserved precisely the same books, and each book, with varying forcefulness, had entered into his predecessor's mind and tinged it. These parti-colored books, could one but reconstruct the mosaic correctly, would give a candid portrait of "your Uncle Henry in Lichfield," which would perhaps surprise all those who had known old Henry Kennaston daily in the flesh. Of the fact that these were unusual books their present owner and tentative explorer had no doubt whatever. They were perturbing books." ---James Branch Cabell, The Cream of the Jest.

"I spent the afternoon and evening...beginning to re-read The Well At The World's End. I was anxious to see whether the old spell still worked. It does--rather too well. This going back to books read at that age is humiliating: one keeps on tracing what are now quite big thing's in one's mental outfit to curiously small sources. I wonder how much even of my feeling for external nature comes out of the brief, convincing little descriptions of mountains and woods in this book." ---C. S. Lewis, All My Road Before Me.

This last quote in particular has been much in my mind lately, what with my remembrance of things past.